domingo, 29 de marzo de 2015

Poetry: Ezra Pound - Portrait d'Une Femme - Canto I - A Virginal - The Needle - Links to more EP



Ezra Pound
 


Portrait d'Une Femme

Your mind and you are our Sargasso Sea,
London has swept about you this score years
And bright ships left you this or that in fee:
Ideas, old gossip, oddments of all things,
Strange spars of knowledge and dimmed wares of price.
Great minds have sought you- lacking someone else.
You have been second always. Tragical?
No. You preferred it to the usual thing:
One dull man, dulling and uxorious,
One average mind- with one thought less, each year.
Oh, you are patient, I have seen you sit
Hours, where something might have floated up.
And now you pay one. Yes, you richly pay.
You are a person of some interest, one comes to you
And takes strange gain away:
Trophies fished up; some curious suggestion;
Fact that leads nowhere; and a tale for two,
Pregnant with mandrakes, or with something else
That might prove useful and yet never proves,
That never fits a corner or shows use,
Or finds its hour upon the loom of days:
The tarnished, gaudy, wonderful old work;
Idols and ambergris and rare inlays,
These are your riches, your great store; and yet
For all this sea-hoard of deciduous things,
Strange woods half sodden, and new brighter stuff:
In the slow float of differing light and deep,
No! there is nothing! In the whole and all,
Nothing that's quite your own.
Yet this is you.





Canto I

And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us onward with bellying canvas,
Crice's this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day's end.
Sun to his slumber, shadows o'er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities
Covered with close-webbed mist, unpierced ever
With glitter of sun-rays
Nor with stars stretched, nor looking back from heaven
Swartest night stretched over wreteched men there.
The ocean flowing backward, came we then to the place
Aforesaid by Circe.
Here did they rites, Perimedes and Eurylochus,
And drawing sword from my hip
I dug the ell-square pitkin;
Poured we libations unto each the dead,
First mead and then sweet wine, water mixed with white flour
Then prayed I many a prayer to the sickly death's-heads;
As set in Ithaca, sterile bulls of the best
For sacrifice, heaping the pyre with goods,
A sheep to Tiresias only, black and a bell-sheep.
Dark blood flowed in the fosse,
Souls out of Erebus, cadaverous dead, of brides
Of youths and of the old who had borne much;
Souls stained with recent tears, girls tender,
Men many, mauled with bronze lance heads,
Battle spoil, bearing yet dreory arms,
These many crowded about me; with shouting,
Pallor upon me, cried to my men for more beasts;
Slaughtered the herds, sheep slain of bronze;
Poured ointment, cried to the gods,
To Pluto the strong, and praised Proserpine;
Unsheathed the narrow sword,
I sat to keep off the impetuous impotent dead,
Till I should hear Tiresias.
But first Elpenor came, our friend Elpenor,
Unburied, cast on the wide earth,
Limbs that we left in the house of Circe,
Unwept, unwrapped in the sepulchre, since toils urged other.
Pitiful spirit. And I cried in hurried speech:
"Elpenor, how art thou come to this dark coast?
"Cam'st thou afoot, outstripping seamen?"
And he in heavy speech:
"Ill fate and abundant wine. I slept in Crice's ingle.
"Going down the long ladder unguarded,
"I fell against the buttress,
"Shattered the nape-nerve, the soul sought Avernus.
"But thou, O King, I bid remember me, unwept, unburied,
"Heap up mine arms, be tomb by sea-bord, and inscribed:
"A man of no fortune, and with a name to come.
"And set my oar up, that I swung mid fellows."

And Anticlea came, whom I beat off, and then Tiresias Theban,
Holding his golden wand, knew me, and spoke first:
"A second time? why? man of ill star,
"Facing the sunless dead and this joyless region?
"Stand from the fosse, leave me my bloody bever
"For soothsay."
And I stepped back,
And he strong with the blood, said then: "Odysseus
"Shalt return through spiteful Neptune, over dark seas,
"Lose all companions." Then Anticlea came.
Lie quiet Divus. I mean, that is Andreas Divus,
In officina Wecheli, 1538, out of Homer.
And he sailed, by Sirens and thence outwards and away
And unto Crice.
Venerandam,
In the Cretan's phrase, with the golden crown, Aphrodite,
Cypri munimenta sortita est, mirthful, oricalchi, with golden
Girdle and breat bands, thou with dark eyelids
Bearing the golden bough of Argicidia. So that:



A Virginal

No, no! Go from me. I have left her lately.
I will not spoil my sheath with lesser brightness,
For my surrounding air hath a new lightness;
Slight are her arms, yet they have bound me straitly
And left me cloaked as with a gauze of æther;
As with sweet leaves; as with subtle clearness.
Oh, I have picked up magic in her nearness
To sheathe me half in half the things that sheathe her.
No, no! Go from me. I have still the flavour,
Soft as spring wind that's come from birchen bowers.
Green come the shoots, aye April in the branches,
As winter's wound with her sleight hand she staunches,
Hath of the trees a likeness of the savour:
As white as their bark, so white this lady's hours. 











Poetry: Ezra Pound - Portrait d'Une Femme - Canto I - A Virginal - The Needle - Links to more EP
 




Ricardo M Marcenaro - Facebook
  


Current blogs of The Solitary Dog:
Solitary Dog Sculptor:
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Solitary Dog Sculptor I:
http://byricardomarcenaroi.blogspot.com



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My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect.

Thanks :)

Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.

Gracias :)



Music: Frank Zappa - Hot Rats Full Album - Photos - Data - Links to more FZ







Frank Zappa - Hot Rats Full Album

Hot Rats es el segundo álbum de Frank Zappa como solista, y el séptimo de su carrera. Es considerado como uno de los mejores álbumes del género del rock, en todas sus expresiones, por su magnífico ensamble musical y su experimentación con el jazz o hasta con el rock progresivo.


Lista de canciones

    "Peaches en Regalia"
    "Willie the Pimp"
    "Son of Mr. Green Genes"
    "Little Umbrellas"
    "The Gumbo Variations"
    "It Must Be a Camel"

Músicos

    Frank Zappa – guitarra, octave bass, percusión
    Ian Underwood – piano, órgano, clarinete, saxofón, flauta

Músicos adicionales

    Captain Beefheart – voz en "Willie the Pimp"
    Don "Sugarcane" Harris – violín en "Willie the Pimp" y "The Gumbo Variations"
    Jean-Luc Ponty – violín en "It Must Be a Camel"
    Max Bennett – bajo en "Willie the Pimp", "Son of Mr. Green Genes", "Little Umbrellas", "The Gumbo Variations" y "It Must Be a Camel"
    Shuggy Otis – bajo en "Peaches en Regalia"
    John Guerin – batería en "Willie the Pimp", "Little Umbrellas" y "It Must Be a Camel"
    Paul Humphrey – batería en "Son of Mr. Green Genes" y "The Gumbo Variations"
    Ron Selico – batería en "Peaches en Regalia"
    Lowell George – guitarra rítmica (no aparece en los créditos)


Complete en:
http://es.wikipedia.org/wiki/Hot_Rats





Hot Rats is the second solo album by Frank Zappa. It was released in October 1969. Five of the six songs are instrumental ("Willie the Pimp" features a short vocal by Captain Beefheart). It was Zappa's first recording project after the dissolution of the original Mothers of Invention. In his original sleeve notes Zappa described the album as "a movie for your ears."

Because Hot Rats largely consists of instrumental jazz-influenced compositions with extensive soloing, the music sounds very different from earlier Zappa albums, which featured satirical vocal performances with extensive use of musique concrète and editing. Multi-instrumentalist Ian Underwood is the only member of the Mothers to appear on the album and was the primary musical collaborator. Other featured musicians were Max Bennett and Shuggie Otis on bass, drummers John Guerin, Paul Humphrey and Ron Selico, and electric violinists Don "Sugarcane" Harris and Jean-Luc Ponty.

This was the first Frank Zappa album recorded on 16-track equipment and one of the first albums to use this technology. Machines with 16 individual tracks allow for much more flexibility in multi-tracking and overdubbing than the professional 4- and 8-track reel-to-reel tape recorders that were standard in 1969.

The album was dedicated to Zappa's newborn son, Dweezil Zappa. In February 2009, the son's band, Zappa Plays Zappa, won a Grammy for Best Rock Instrumental Performance for their rendition of "Peaches en Regalia."[5]

In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came #13 in its list of "40 Cosmic Rock Albums".[6] It was also included in the book 1001 Albums You Must Hear Before You Die.[7]


Music

Zappa composed, arranged and produced the album himself. His primary instrument on the album is lead guitar. "Willie the Pimp", "Son of Mr. Green Genes", and "The Gumbo Variations" are showcases for his powerful and unconventional solo guitar performances. Four of the tracks have intricately arranged charts featuring multiple overdubs by Ian Underwood. Underwood plays the parts of approximately eight to ten musicians, often simultaneously. His work includes complicated sections of piano and organ, as well as multiple flutes, clarinets and saxophones.

The song "Peaches en Regalia" is widely recognized as a modern jazz fusion standard and is one of Zappa's best-known songs. Zappa plays a short solo on an instrument credited as an octave-bass, which is a conventional bass guitar recorded at half-speed so it sounds an octave higher in normal speed playback. Underwood contributes flute and multiple saxophone, clarinet and keyboard parts. Zappa later re-recorded the song several times in live performances. It has been re-interpreted by many other jazz and rock artists, including Phish, the Dixie Dregs, and Frogg Café.

"Willie the Pimp" is a rock tune which features a vocal by Zappa's longtime friend and collaborator Captain Beefheart. It has violin by Don "Sugarcane" Harris and guitar solos by Zappa in what appear to be loose jams, though the performances were edited before release. The title Hot Rats comes from the lyric of this song.

"Son of Mr. Green Genes" is an instrumental re-arrangement of the song Mr. Green Genes from the Mothers album Uncle Meat. The unusual title of this song led to an urban legend that Frank Zappa was related to the character Mr. Green Jeans from the television show Captain Kangaroo. This is the only song on the album to feature both intricate horn charts and extended guitar solo sections.

"Little Umbrellas" is similar in style to "Peaches", another short carefully arranged tune with numerous keyboard and wind overdubs by Underwood.

"The Gumbo Variations" also is a jam performance that features a tenor saxophone solo by Underwood and some intricate electric violin playing by Don "Sugarcane" Harris in addition to a guitar solo by Zappa. The CD issue is a longer version containing portions that were edited for the LP. It includes a brief spoken segment at the beginning where Zappa's voice is heard instructing the musicians on how he wants them to start the tune.

"It Must Be a Camel" is also an intricately arranged tune with numerous wind and keyboard overdubs by Underwood. The very unusual melody of this song is highly rhythmic and often makes large melodic leaps. The title may come from the fact that these leaps resemble "humps" when written on paper. The recording contains a violin performance by Jean-Luc Ponty.

A recording from the Hot Rats sessions titled "Bognor Regis" was set to be released on the B-side of an edited version of "Sharleena", a track from the 1970 Zappa album Chunga's Revenge. The single release was canceled, however, an acetate disc copy was leaked to the public and the track has appeared on Zappa bootlegs. The song was named after Bognor Regis, a town on the south coast of England. Musically, "Bognor Regis" is a basic blues instrumental with electric violin solo by Don "Sugarcane" Harris. Another track recorded during these sessions, titled "Twenty Small Cigars", was later released on Chunga's Revenge.


Advanced recording techniques

Zappa used advanced recording equipment to create an album of outstanding technical and musical quality. The album was recorded on what Zappa described as a "homemade sixteen track" recorder; the machine was custom built by engineers at TTG Studios in Hollywood in late 1968. Additional tracks made it possible for Zappa to add multiple horn and keyboard overdubs by Ian Underwood. Only a few musicians were required to create an especially rich instrumental texture which gives the sound of a large group. It was this use of advanced overdubbing that was the main motivation for Zappa, who hated playing in a studio.[11]

Zappa was among the first to record drums on multiple tracks. This made it possible to create a stereo drum sound. Prior to this time the entire drum set was typically recorded to a single (mono) track of an 8-track recorder. On Hot Rats, however, four of the tracks were assigned to the main drum set, including individual tracks for the snare and bass drums and left and right tracks for other drums and cymbals. In this setup the engineer had unprecedented control over the sound of each drum component in the final mix. This technique was widely imitated and became the norm in the early 1970s when machines with 16 or more tracks became widely available.

Zappa pioneered the use of tape speed manipulation to produce unusual timbres and tonal colors. On "Peaches en Regalia", "Son of Mr. Green Genes", and "It Must Be a Camel" Zappa plays "double-speed percussion." After recording basic tracks (drums, bass, guitar and piano, etc.) at the fast speed of the recorder, Zappa played additional drum overdubs while listening to the basic tracks at half speed. On the finished recording, played at normal speed again, the overdubs are heard at twice the usual speed and pitch. This gives the drum overdubs a bizarre, comical quality, much like toy drums.

Other instruments were processed in a similar way, including keyboards, saxophones and bass. Zappa is credited with "octave bass" (a bass guitar sped up to double speed)—the resulting sound is similar to that of a guitar but according to Zappa has more "punch" and energy. Additionally, a processed electronic organ was integrated as an orchestral voice within an ensemble of woodwinds and piano. "It Must Be a Camel" features the sound of a hard plastic comb being stroked, sounding almost like a jerky, audio slow-motion bell tree or wind chime; Zappa also 'plays' a ratchet wrench as percussion on "Willie the Pimp". This was all done with analog technology more than 10 years before modern digital sound processing equipment became available.


Artwork

The colourful, psychedelic aura of the late sixties is apparent in the graphic design and photography of Hot Rats, though Zappa himself actually disdained the psychedelic movement. At a time when foldouts were usually reserved for double-disc albums, this one-disc album had a foldout emphasizing the photography as well as the elaborate artwork of Cal Schenkel. The cover photo by Andee Cohen Nathanson, utilizes infrared photography and reflects Zappa's taste for striking visual images, combined with the absurdly humorous. The woman pictured on the cover is "Miss Christine" Frka of The GTOs.
Release history

The LP version was released on the blue Bizarre Records label in 1969. In 1973 the album was re-issued by Reprise Records. The Reprise version was deleted in the early 1980s when Zappa's contract with record distributor Warner Bros. Records ended. The inside of the original gatefold LP cover has a collage of color pictures, many of which were taken during the recording sessions. On the initial CD edition many of these were removed, and the few that were included were printed in black and white. The 1995 reissue restored the full gatefold artwork.

In 1987 Zappa remixed Hot Rats for re-issue on Compact Disc. "Willie the Pimp" is edited differently during the introduction and guitar solo. "The Gumbo Variations" has 4 minutes of additional material including an introduction and guitar and saxophone solo sections which were cut from the vinyl LP version. Piano and flute which were buried in the LP mix of "Little Umbrellas" are prominent on the CD. Other differences include significant changes to the overall ambiance and dynamic range. A 2008 remaster of the original mix was used for a 2009 limited edition audiophile LP by Classic Records and for the 2012 Universal Music reissue.[12]

Though not a hit in the U.S., it was a top ten hit in England and the Netherlands in 1969-70.


Track listing

All songs written and composed by Frank Zappa.

Side one    
No.     Title     Length    
1.     "Peaches en Regalia"       3:38
2.     "Willie the Pimp"       9:21
3.     "Son of Mr. Green Genes"       8:58

Side two    
No.     Title     Length    
4.     "Little Umbrellas"       3:06
5.     "The Gumbo Variations"       12:53
6.     "It Must Be a Camel"       5:15
Total length: 43:11

Complete in:
http://en.wikipedia.org/wiki/Hot_Rats





Links

The Yellow Shark

Albums

Various
Music: Frank Zappa - City Of Tiny Lites (live in NYC)


 




Music: Frank Zappa - Hot Rats Full Album - Photos - Data - Links to more FZ
 




Ricardo M Marcenaro - Facebook
  


Current blogs of The Solitary Dog:
Solitary Dog Sculptor:
http://byricardomarcenaro.blogspot.com
Solitary Dog Sculptor I:
http://byricardomarcenaroi.blogspot.com



Para comunicarse conmigo:
marcenaroescultor@gmail.com
For contact me:
marcenaroescultor@gmail.com


My blogs are an open house to all cultures, religions and countries. Be a follower if you like it, with this action you are building a new culture of tolerance, open mind and heart for peace, love and human respect.

Thanks :)

Mis blogs son una casa abierta a todas las culturas, religiones y países. Se un seguidor si quieres, con esta acción usted está construyendo una nueva cultura de la tolerancia, la mente y el corazón abiertos para la paz, el amor y el respeto humano.

Gracias :)